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Name: Francis
Birthday: 1/16/1992
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Member Since: 11/3/2005

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Tuesday, May 23, 2006

SATAN'S STRATEGY

Satan called a worldwide convention of demons. In

his opening address
he said,

"We can't keep Christians from going to church."

"We can't keep them from reading their Bibles and
knowing the truth."

"We can't even keep them from forming an intimate
relationship with
their saviour."

"Once they gain that connection with Jesus, our
power over them is broken."

"So let them go to their churches; let them have
their covered dish
dinners, BUT steal their time, so they don't have
time to develop a
relationship with Jesus Christ.."

"This is what I want you to do," said the devil:
"Distract them from gaining hold of their Saviour
and maintaining
that vital connection throughout their day!"

"How shall we do this?" his demons shouted.

"Keep them busy in the non-essentials of life and
invent innumerable
schemes to occupy their minds," he answered.

"Tempt them to spend, spend, spend, and borrow,
borrow, borrow."

"Persuade the wives to go to work for long hours and
the husbands to
work 6-7 days each week, 10-12 hours a day, so they
can afford their
empty lifestyles."

Keep them from spending time with their children."

"As their families fragment, soon, their homes will
offer no escape
from the pressures of work!"

"Over-stimulate their minds so that they cannot hear
that still,
small voice."

"Entice them to play the radio or cassette player
whenever they
drive."

"To keep the TV, VCR, CDs and their PCs going
constantly in their
home
and see to it that every store and restaurant in the
world plays
non-biblical music constantly."

"This will jam their minds and break that union with
Christ."

"Fill the coffee tables with magazines and
newspapers."

"Pound their minds with the news 24 hours a day."

"Invade their driving moments with billboards."

"Flood their mailboxes with junk mail, mail order
catalogs,
sweepstakes, and every kind of newsletter and
promotional offering free products,
services and false hopes.."

"Keep skinny, beautiful models on the magazines and
TV so their
husbands will believe that outward beauty is what's
important, and they'll
become dissatisfied with their wives. "

"Keep the wives too tired to love their husbands at
night."

Give them headaches too!

"If they don't give their husbands the love they
need, they will
begin to look elsewhere."

"That will fragment their families quickly!"

"Give them Santa Clause to distract them from
teaching their children
the real meaning of Christmas."

"Give them an Easter bunny so they won't talk about
his resurrection
and power over sin and death."

"Even in their recreation, let them be excessive."

"Have them return from their recreation exhausted."

"Keep them too busy to go out in nature and reflect
on God's
creation. Send them to amusement parks, sporting
events, plays, concerts, and
movies instead. "Keep them busy, busy, busy!"

"And when they meet for spiritual fellowship,
involve them in gossip
and small talk so that they leave with troubled
consciences."

"Crowd their lives with so many good causes they
have no time to seek
power from Jesus."

"Soon they will be working in their own strength,
sacrificing their
health and family for the good of the cause."

"It will work!" "It will work!"

It was quite a plan!

The demons went eagerly to their assignments causing
Christians
everywhere to get busier and more rushed, going here
and there.

Having little time for their God or their families.

Having no time to tell others about the power of
Jesus to change
lives.

I guess the question is, has the devil been
successful in his
schemes?

You be the judge!!!!!

Does "BUSY" mean:

B-eing U-nder S-atan's Y-oke?

Please pass this on, if you aren't too BUSY!

I don't think I know 10 people who would admit they
love Jesus.

Do You Love Him?


Saturday, April 22, 2006


Saturday, January 21, 2006

Read the story below and try to recall your childhood friends.

 

GROWTH

 

We had a house in Paco before in San Rafael, a street cut across marshland and leading to the river. San Rafael was a long narrow street with bend halfway. It had been a trail to the riverside until some brokers downtown made an enterprise of the marshland and the government thought of building the street.

 

The people who bought the lots in San Rafael were average people who could afford a good-sized house and lot from their modest savings. They were families who had lived in tenement houses and flats in the cramped districts of Quiapo and Sta. Cruz. Some had come from the provinces. They started building small but well-designed houses along-side the street. They added richer soil to the coal-sand in their yards, and grew tiny gardens. Beyond their backyards were the marshes, tall with reeds and alive with quails and big lizards all the year round. In summer, parts of the marshes dried up, and the children ventured out to gather camachile from the solitary, twisted trees growing on the marshes. The older boys would go swimming in the river although the water stank and dead animals from upstream came floating by them. All day the children could be heard playing: their boisterousness echoed across the river where lay another neighborhood busily growing up from the marshes.

 

I was about five when we moved to San Rafael from a place I can hardly recall. My elder brother used to tell me about the places in the Visayas where father would be assigned as academic supervisor. But when Junior, an older brother, died in one of the frequent trips we had to make, Father resigned from the Bureau of Education and we came to the city.

 

Father bought the lot in San Rafael with a half-finished house on it. The owner sold it for reasons we did not know. Father had the house remodeled and painted green. Mother, who loved flowers and vine gardens, planted something that clambered colorfully over the front porch in a few months. Our chalet house was not bad to look at, then.

 

I remember I had few close friends in San Rafael. Perhaps it was because I never liked the way the other boys brought me to the marshes and left me alone. I was quite afraid of the marshes, they made sucking noise and other eerie sounds which I dreamed of at night in horrible nightmares. There were some boys who never brought me that way to the marshes, and I felt very close to them. Like Dan.

 

He was the boy who lived across the street. He was a year older and we went to school together. He was slim, tall for his age, and good-looking with his blown hair that never stayed in place. His father was a tall, handsome officer in the Constabulary; his mother was a beautiful voice. I often heard her sing, play the piano, but I seldom saw her. She had always closeted herself in her room for a reason I never understood. But we all knew her to be kind and understanding – to children, particularly. Dan was the only child but was not spoiled. His father had brought him up like a Spartan boy. He was strong and fast, and the boys respected him.

 

Dan and I often slept together in his room. I would bring my lessons for the next day, and we did our studying together. He would bring the cookies and the warm milk sent by his mother for us. More often than we studied, we told each other stories. Long after the lights had been turned off, we would talk in hushed voices about many things. Or we would just sit upright on the bed, our knees drawn up to our chins; looking out into the street, at our homes across the way. By then the lights at home would be reading the evening papers or writing his books. The only lamppost in San Rafael stood by Dan’s house, and we could see all the people passing by at night. Usually they were the restless young men from down the street near the riverside. They would walk noisily in their wooden clogs, whistling of humming, and slapping their tights as they laughed loudly at a dirty joke. They would do things not pleasant to think about.

 

After classes in the afternoon, we played on our back porch where we could see the marshes stretching out. Far beyond we could see a road, the cars passing cars and laborers going home, small and distant. Sometimes we did nothing but watch the marshes. And Dan would be very silent; his eyes would have a strange wistfulness. The he would leave for home, without saying anything. I would not be sore at Dan for that. I knew I felt the same way, just watching the quiet marshes on those late afternoons. The marshes would be drenched with purple, and the cold evening wind would start glowing against our faces. I would so in and turn the radio, letting it blare loudly.

 

One day we saw a house being built on the marshes half a mile away. Not long after, there were more houses, tall, small huts with slim posts and stairs. It was the start of a slum neighborhood. In a few months, there were scores of those shacks, and a small narrow road developed, perpendicular to San Rafael, stopping some one hundred meters from the bend where the store was. Then the people from there built a footbridge over the treacherous gap to the bend so they could buy their things from San Rafael.

 

The bridge became a link between the relative cleanliness of San Rafael and the squalor of the new neighborhood. And the boys from the other side came to San Rafael to look for trouble. We naturally resented their coming they were mostly boys who grew up in the streets of Tondo. They would come rushing on us by the bridge, and we had to fight them with slingshots and sticks and fists. They would also come by the riverside where we least expect them, and surprise us at our backs. At times, the battles were fought in the marshes, and we would go home all mauled and muddied up. Later we organized ourselves and built barricades at all the approaches to San Rafael. But some of the parents of the boys in San Rafael had called up the police, and they seldom troubled us again. When the rains came and flooded the streets and marshes, we forgot all about them. We fashioned out little boats from old washtubs and rafts from banana trunks, and sailed out on the water. The rainy season was time out from those wars.

 

There was a real war in Europe when Dan and I entered high school. There was a small war in Mindanao where Dan’s father had been assigned to fight with the Constabulary against Moro outlaws. Dan and his mother were left alone in their house. Dan’s father sent them Moro articles and trinkets. On his birthday, Dan received a kampilan. He glowed with pride showing it to us, testing its razor sharpness with a cardboard. But then, his mother kept his present, saying it was not safe for him to be carrying the thing around because of his quick temper. We never saw the kampilan again.

 

After supper, Dan and I would take long walks to the old Paco cemetery near San Rafael. We walked under the giant acacia trees alongside the ancient moss-covered walls. We would find out whether the stories of ghosts lurking about the balete trees near the place were true or not. We never saw anything and we were not afraid. We would just talk of wars and algebra and the girls we knew in high school, while we walked, munching roasted peanuts.

 

It was summertime that morning when we learned about Dan’s father. I had heard Pa and Ma talking in the dining room, something about the Moros in Mindanao. When I sat down at the table, they stopped talking and looked solemnly at me. I knew there was something wrong, but I started to eat anyhow. Then I saw the papers on the table. It was all there in the papers glaring at me. I forgot my breakfast and ran out in haste across the street. There was the brown army car already in front of Dan’s home – the one that used to fetch Dan’s father every morning. I saw Dan and his mother come out of the house to get in the car. His mother looked as if she had been crying. She had lost her youthful charm, but she was beautiful in a way and possessed a quiet dignity. Dan saw me standing by out gate. I knew he wanted me to come over, but his mother had already motioned to him in the car. He smiled at me slightly; he was very pale.

 

There was nobody home at Dan’s for sometime. Across the street, the house stood desolate, the strong winds from the marshes blowing about it and rattling the windows. I was lonely. Father had gone to the south on a tour and my brothers were attending summer camp. I didn’t feel like going with the other boys. I would be alone on the porch those late afternoons, watching the marshes.

 

Dan had changed when he camehome. He had grown slimmer, and much too quiet. He did not leave the house for some time. I wrote him a letter and sent it through the maid. I received Dan’s reply, after a day, telling me to come over.

 

“Hello, Dan,” I said when the door was opened for me. He was down at his desk, writing something. I said hello, again, and he looked up. He had really changed.

 

He quietly said what I already knew: his father was killed by a Moro boloman. But he told me other things: the services at the army cemetery, their stay with his father’s relatives. He described the rites in a sensitive way that touched me. The citation, the posthumous awards, the rifle-fire salute, and taps. I was very silent, listening to Dan. Then he said a family would move to their house. His mother was having it rented. They would occupy just one room for themselves, and would send the maid away. I told him we could sleep together in my room as we had slept in his. He said that would be swell for me, and he smiled weakly, bravely.

 

In the weeks that followed we came to know Mita. She was the only child in the family that came to live in Dan’s home. She was about our age and could play the piano and sing songs we liked: “Annie Laurie,” “The Last Rose of Summer.” “Loch Lomond,” and Irish songs.

 

Her parents were friendly people who had asked us first to be friends with Mitas because they said she was alone and had never gotten to know other children, especially boys. We would watch Mita play, and we would swap stories with her, about our schools and classmates. She had gentle refined ways that made us aware the time of our uncouth manners. Dan started to use pomade in his blown, unkempt hair, and I, too, asked Mother to buy me a new suit. Somehow, Mita knew that we had been too conscious of ourselves and she told us outright she liked us better as we were. And we liked her for telling us, for being frank and honest with what she thought. She could make us forget the girls we knew in high school, and we would make smile and feel glad because her dimples and wrinkling eyes were nice to look at.

 

Sunday afternoons, we would go together to the Luneta to listen to the concert or to watch the sunset. Sometimes we would go to a good show downtown and when February came around, to the carnivals.

 

Dan became more of himself. He was somehow succeeding in trying to forget his sorrow over the tragedy which Mita knew but she had never asked him what he had been doing, he would say he was reading and would dismiss the talk to other things.

 

Mita invited us once to her piano recital in the school auditorium. She played a piece by Brahms and another by Rachmaninoff. We brought her home ourselves that night because her parents had some place to go after the recital. In the cab, on the way home, we complimented her: Dan, with his literary allusions, and I, with matter-of-fact words. We added, however, that we still preferred her playing of those Scotch and Irish Melodies. After supper, Mita played the music we would request. Always, Dan asked for Chopin’s “Nocturne” and I for Schumann’s “Traumerle.” After playing out favorites she would dish out a sprightly meant all the world to Dan who had by now gotten over his sadness. But our high spirits were short-lived.

 

It was waking up one night to some wailing which led me to think suddenly of a fire in San Rafael. When I looked out, however, I saw an ambulance in front of Dan’s home, and men in white were pushing in at the back a covered litter. The ambulance left quietly. The siren didn’t wail anymore and there was no hurry. It just rumbled slowly along San Rafael and disappeared at the bend.

 

I hurried across to Dan’s. I met Mita’s father atop the staircase. He was putting on his coat and hat, preparing to leave. He just shook his head and held me lightly by the shoulder. In the ambulance was Dan’s mother.

 

I saw Dan in the sala, quietly looking out of the window. The cold night wind from the marshes filtered in and the curtain blew softly against his face. Mita was sitting on one of the chairs, staring blankly at the floor, her thumbs turned into her fists. When she saw me, she tried painfully to smile. There was nothing she could have said. She was visibly shaken that night.

 

I approached Dan and whispered his name. but he didn’t answer nor turn around. I touched him gently at the back. I just couldn’t say anything anymore, and a lump was swelling in my throat. After a while he turned halfway to me, not saying a word, his face devoid of expression.

 

“I’m all right, Jim.” It was Dan talking and I couldn’t believe it.

 

They laid Dan’s mother to rest the next day. The sky was grey and it drizzled a little that afternoon. I can still see Dan, standing in the rain, tall and quiet, without any cap, his raincoat draped carelessly on his body. He looked tired, his hair dripping wet, holding himself from his body. He looked tired, his hair dripping wet, holding himself from crying. The grave was fresh with wet dug sod. It had a large marble stone with an epitaph – a short affecting verse written by Dan. It was his first poem that I had ever read.

 

That night was our last night together. Dan left early the following morning and took a boat south to live with relatives. I couldn’t see him off. Mita and her parents left in the afternoon. She had promised to write, but her letter never reached me. Several days later, we also left for the province because war had broken out. The headlines were large and glaring that Monday morning: the Pacific War is on now!

 

We spent our last night in the hall. We just watched and heard Mita play the piano. The last piece she played was Rubinstein’s “Melodie,” and I wanted to ask her not to play that song. But she kept at it and I stole out to the porch. It was dark and cold out there. The marshes held a strangeness that gripped my heart.


Saturday, December 03, 2005

Read this short story but great play and find out why it was entitled so...
 

OLI IMPAN
 
After the liberation of Manila, hundreds of indigent families settled in the squalid, cramped space of the bombed ruins of an old government building on Juan Luna. For more than a decade these squatters tenaciously refused to move out in spite of court rulings. The casbah, as the compound was popularly known, became a breeding place for vice and corruption. The city government was able to evict the squatters only on December 20, 1959---five days before Christmas.
 
(On the middle of the stage, extending from side to side, is a stone wall, one and a half feet high. At left may be seen a portion of a tall edifice. At right is a portion of the casbah. Beyond the stone wall, an estero (unseen)---and the sky.
 
A five-year-old girl sits on the stone wall, her thin legs dangling in the air. Offstage there is a continuous commotion of evacuation. A woman’s voice rises above the commotion as she reprimands a child for getting in her way.
 
A six-year-old boy appears on stage walking backwards---away from his mother, nagging offstage. The mother quiets down. The boy turns around and plays with his toy: an empty milk can pulled along the ground with a piece of string.)
 
Girl: Is there a fire?
Boy: (Stops playing and faces her.) Huh?
Girl: I said, is there a fire?
Boy: There is no fire. (Continues to play.)
Girl: (Looks around toward the street. After a pause.) I think there is a fire.
Boy: (Stops playing.) I told you there’s none.
Girl: There is.
Boy: How do you know? Do you see any smoke? Do you hear any fire alarm? (Resumes his play. Runs imitating a fire engine.) E E E E E E E E! I like it when there is a big fire!
Girl: (Worried.) If there is no fire, why are they putting these things out? (Pointing to a pile of household belongings nearby.)
Boy: Because we are being thrown out.
Girl: Who told you?
Boy: My mother.
Girl: Who is throwing us out?
Boy: (Sits in the other end of the stone wall.) The government. You didn’t ask your mother?
Girl: I forgot to ask her. Why should the government throw us out?
Boy: (Points to the compound.) Because it owns this.
Girl: (Enraged.) But this is ours!
Boy: No, it is not ours.
Girl: (A tiny scream.) It is! It is!
Boy: It is not!
Girl: (A tiny scream.) It is! It is!
Boy: (Loud.) How do you know it is ours?
Girl: We’ve always been here, haven’t we?
Boy: Yes, but that doesn’t mean it is ours!
Girl: (After a pause.) If this is not ours, which one is ours?
Boy: Nothing.
Girl: Nothing. How can that be?
Boy: I don’t know.
Girl: (After a pause.) If they throw us out, we’ll have nowhere to go. How about you? You have any place to go?
Boy: None. But we still have one. (Proudly.) My mother has a job.
Girl: She has?
Boy: Yes!
Girl: What does she do?
Boy: She reads hands.
Girl: She reads---hands? (Looking at her hands.) Why does she read hands?
Boy: So she can tell what will happen tomorrow.
Girl: She can do that? By reading hands?
Boy: Yes, she can!
Girl: (Showing him her hands.) Can she read my hands? I want to know where we will stay tomorrow.
Boy: She can’t read your hands.
Girl: (Looks at them.) Why not?
Boy: They’re too small and dirty.
Girl: (She quickly withdraws then and quietly wipes then on her dress.)
Boy: Besides, she reads only men’s hands.
Girl: Only men’s hands? Why?
Boy: Because they are big and easy to read.
Girl: How does she read hands? Like she reads the comics?
Boy: I don’t know.
Girl: You don’t know? Don’t you watch her?
Boy: No, I don’t.
Girl: Why not?
Boy: My mother won’t let me. She makes me go out and play. And she closes the door.
Girl: She closes the door! How can she read in the dark?
Boy: I don’t know. (Proudly.) But she can!
Girl: Don’t you ever peep?
Boy: No, I don’t.
Girl: Why not?
Boy: She’ll beat me up.
Girl: (With a start. Commotion offstage.) What’s that? What’s happening there?
Boy: (Tries to see.) I don’t know. I can’t see. (Pulls her.) Come out. Let’s take a look!
Girl: (Resisting.) I can’t.
Boy: Why not?
Girl: My father told me to stay here. He said not to go anywhere.
Boy: (Turning.) Then I will go and take a look.
Girl: (Frightened.) No, don’t. Stay here. Don’t leave me.
Boy: Why?
Girl: I’m afraid.
Boy: Afraid of what?
Girl: I don’t know.
Girl: But how can we find out what’s happening?
Boy: (Restless.) But I want to see. (Scampers up the stone wall.) I can see from here!
Girl: What do you see?
Boy: (Incredulous.) They are destroying our homes! (Sound of wrecking crew at work.)
Girl: (Frightened.) Who’s destroying them?
Boy: The men with hammers!
Girl: Nobody’s stopping them?
Boy: Nobody.
Girl: But why? Are there no policemen?
Boy: There are! There are many policemen!
Girl: What are they doing? What are the policemen doing?
Boy: Nothing.
Girl: Nothing? They are not stopping the men?
Boy: No.
Girl: Why not?
Boy: I don’t know.
(Commotion. Shouts. Curses.)
Girl: (Alarmed.) What’s happening now?
Boy: (Excited throughout.) A man is trying to stop the men with hammers! Now the policemen are trying to stop
him! They’re running after him! But the man fights like a mad dog.
(A man shouts, cursing.)
Girl: (Suddenly, with terror in her voice.) That’s my father! (In her fright she covers her eyes with her hands.)
Boy: Your father?
Girl: Yes, he’s my father! What are they doing to him? Are they hurting him?
Boy: No, they are only trying to catch him… How, they’ve caught him! They are tying his hands!
Girl: What will they do to him?
Boy: I don’t know. Now, they’re putting him in a car. A police car.
Girl: (Whimpers.) Father... Father…
Boy: They’re taking him away!
 
(A car with sirens drives away.)
 
Girl: (Screams.) FATHER! FATHER!
Boy: He can’t hear you now.
Girl: (Starts to cry.)
Boy: (Walks to her and sits beside her.) Why are you crying? Don’t cry, please... Don’t cry.
Girl: They are going to hurt my father?
Boy: No, they won’t hurt him.
Girl: (Removes her hands from her eyes.) How do you know?
Boy: I just know it. (Suddenly.) Come on, let’s sing s song.
Girl: I don’t know how to sing.
Boy: I’ll teach you.
Girl: How?
Boy: I’ll sing and you listen.
 
(She nods and wipes her eyes dry.)
 
Boy: (Sings.) Saylenay…
Olinay…
Oliskam…
Olisbray…
Ranyonberginmaderenchayl…
Oliempansotenderenmayl…
Slipinebenlipis…
Slipinebenlipis…
Girl: (Smiling.) That’s a pretty song. Who taught you that song?
Boy: (Proudly) My mother!
Girl: What does it mean? I can’t understand it.
Boy: I don’t know. I haven’t asked my mother. But she told me God was born in a stable.
Girl: What’s a stable?
Boy: A place for horses.
Girl: (Incredulous.) He was born there? In a place for horses? Why?
Boy: My mother said he had no place to stay.
Girl: Was he poor?
Boy: I don’t know.
Girl: (Suddenly.) I like that song. Will you sing it again?
Boy: No, Let’s sing it together.
Girl: I told you I don’t know how!
Boy: I’ll teach you. I’ll sing a little… and you sing after me.
 
(She smiles and nods.)
 
Boy: (Sings.) Saylenay…
Girl: Saylenay…
Boy: Olinay…
Girl: Olinay…
Boy: Oliskam…
Girl: Oliskam…
Boy: Olisbray…
Girl: Olisbray…
Boy: Ranyonberginmaderenchayl…
Girl: Ranyon… (She giggles.) I can’t say that!
Boy: Let’s skip it. (Sings.) Oliimpan… no, skip that, too. (Sings.)
Slipinebenlipis…
Girl: Slipinebenlipis…
Boy: Slipinebenlipis…
Girl: Slipinebenlipis…


Thursday, November 03, 2005

hi guys! made a new xanga. my previous xanga was broken. *laughs* anyways, here are my previous xanga blog entries;


here's my new mobile phone number: +63225862608 hehe. sun users; just message me on my phone.



 I DARESAY I LOVE YOU

I daresay I love you, not knowing
What love is, or how it felt
Or why I do daresay so
Just so you know what it is,
Or how it felt and why
I loved at all.


How I got this close, or this far
To the extent that my heart beats for you
And my mind keeps you in it
Is not far me to understand
But to savor every moment
That Ibreathe to live for you instead.
 

I love you, constantly
And fervently, as it flows freely from me
Without doubt or condition
Unbridled by desire or consequences
I love you honestly
As the conscience does not lie to the soul
And as the heart does not feign love.


Trust that I love you
Now, tomorrow, forever
And I will love you still
Even if eternity would come to pass.



cherina... if ever you will read this f*ckin' blog... always remember that i love you and you'll always be in my heart... even if eternity would come to pass...


TELL HER

Tell her how the distance
between the ground under my feet
and the zenith
seems so infinitesimal
at the horizon,
but actually stretches far
more than eternity.
And if I could weave them as one,
I would not be so far
from the touch
of the heavens.
Tell her how the morning light
kisses the fertile earth
with so much passion
and impregnates it with life
but still,
loses to the velvet blanket the dark
and drowns with it the vibrant hue
in bewildering shadows.
And if I could be the light
that cuts through that darkness,
I would not feel the thwarting necessity of fear.
Tell her how the shimmer
on the placid lake
can be so blinding at the distance,
but still fades and dies
as the sun seem to sink in it.
And if I could forever hold
such mesmerizing beauty,
I would be the first to fathom
the depth of her soul.



 Love Song
made last 6/6/05

Between perpetual seconds of ill confusion
and unconstructed truths of vivid delusions,
heartbeats become still to give way
to a music, fast playing, that awaits
recognition, but not as classical dexterity.

soft, as the night unprofaned by a sigh
entwines itself with the melody
of some love song unheard

or perhaps refused
by pride of the wanderlust of dreams;
those of people, but not those of the lover.

such passion, there was in song
that this, in desire, the lover did play to break
the silence of hearts, but availed not of anything.

softer still, embraced by greater longing
thwarted, though, by unwanted parting.
despair. softer still, rather fading now
like old piano keys losing tune.

until not a touch of ardor
flows with the remaining melody
into his love's ear

but even if the same song still
had passion burning,
it would as easily be let out
into the space
where nobody can hear.


Add a new testimonial for...

testimonial

 

The past few months have been the greatest in my life. Everything's still so surreal. I can hardly believe it myself that I have you in my life. Baby, we've been together for a few months but im having a blast. I feel the world has become good to me 'coz it manipulated events that led me to you. I never thought I could be this fortunate to have a smart and pretty girlfriend who doesn't think twice in showering me with so much love and attention.

Baby, you're still that dreamgirl I've been longing for; the friend I've had a crush on; and the sweet, smart obssessive-compulsive who makes me smile in everything she does. You make me fall in love with you more and more.

I love you Cherina! I vow to serve and take special care of you with my all. My gut and heart tells me you're the one. Dahil sa'yo, feeling ko ako na ang pinakamaswerteng lalaki sa balat ng lupa.

==/> well.. minahal ko s'ya nang sobra. ewan ko lang kung minahal din nya ako nang sobra. s'ya ang first ko... and.. matagal bago ko s'ya makakalimutan.. mahal na mahal ko talaga si cherina..



:-:-:-:-:♥♥I LOVE YOU♥♥:-:-:-:-: